Author Guest Post With David Farland

David Farland has kindly agreed to guest post here about his work, and share his inspiration for becoming a writer in honor of his newest release, Nightingale.

 About The Author:

David Farland is a multiple New York Times bestselling author with over fifty published novels who has won many awards, including the Philip K. Dick Memorial Special Award for Best Novel in English Language and the Whitney Award for Best Novel of the Year.
He has also worked in Hollywood as a movie producer and was one of the designers for one of the best selling computer games of all time. This made him uniquely qualified to partner with East India Press and produce the world’s most advanced enhanced novels. 
David has also been a writing professor at Brigham Young University and the curriculum he developed is now used at over two-hundred colleges and universities. He now limits his teaching to workshops and has taught or helped to discover dozens of bestselling authors, such as Stephenie Meyer, Brandon Mull, and Brandon Sanderson.
Find David Farland on the Web:
 Guest Post:
Reading in the Future
Imagine that you put on your “reading glasses.”  The glasses are dark, fitted with lasers and high-quality stereo earbuds, so that as you put them on, your entire field of vision is captured.  A laser inside the glasses flashes a novel title on the interior surface of your eye. 
Of course, the book you see is my book (why not, it’s my fantasy). The letters start small, off in the distance and they quickly draw closer to you, but they don’t stop, they wash right over you and just when it seems they’re all around you, they explode in a burst of light, “Nightingale, by David Farland.”  You can hardly imagine what life was like before 3D. As soon as you read the last word, a laser with a computer link that tracks your eye movement cues the background music, and images begin to flash in your eye—a holographic video-clip of the character of Bron, as an infant, being abandoned outside the door of a cheap hotel in the Utah desert.  The camera pans up to the face of his mother, Sommer, bitter and broken, with tears in her eyes.  We flash to the prologue, where Sommer runs through a forest at night, her breathing deep, while dogs snarl and bark as they give pursuit.  Fireflies rise up around her.
Words to the novel appear on screen, as background music continues, and you begin to read.  As Sommer twists her foot and falls, the lasers pace your reading and insert a sound-effect—the thud of a body falling, the hiss of breath knocked from Sommer’s throat.  The dogs bay more excitedly.  A man’s heavy footsteps can be heard tromping through the brush behind the reader, and a startled mewling cry escapes Sommer’s throat. . . .
Welcome to the future of reading, where text, images, sounds and music forge a collage.  That’s the vision I have that led me to become a co-founder of East India Press.
The technology to do this already exists. The use of heads-up displays in fighter jets was pioneered in the 1960s, and that technology has now gone public.  Though readers now are using the iPad2 and the Kindle Fire, I’m looking forward to the devices we’ll have five years from now, or ten years.
How can reading technology be better than with current books?
We don’t want to replace reading. We don’t want to make movies.  Reading often engages the audience’s imagination in ways that movies fail to.  We want to keep it that way.  We want the reader to be a partner with us in bringing a tale to life.  At the same time, we hope to ‘enhance,’ the story, help readers become more fully involved with it, yet keep budgets reasonable.  With film clips, animations, illustrations, background music, and sound effects, we can create something that fuses a lot of storytelling tools.
Creating e-books has become cheap and easy.  This year, it is estimated that three million people will be putting their own e-books up for sale.   That’s a staggering number.  If you spend twelve hours a day just examining those titles, and spend only ten seconds studying each e-book put up this year, you wouldn’t be able to glance at even 1/100th of all the books that will be published—much less read one!
Readers are being deluged, often with books that aren’t any good.  Most of those books, unfortunately, wouldn’t have made it past an editor.  The author just wasn’t ready.  Sure, there will be a few diamonds among all of that coal, but no editor will have time to sort through it.
I’ve had my share of sorting through manuscripts.  For nearly a decade I was the first judge for one of the world’s largest writing contests.  A funny story, once an editor of a major publisher asked me to help pick a book to give the “big publicity push to” for the next year.  I read through thirty books and selected a book that the marketers thought was “too-long” for its intended audience.  I pointed out that the book was also written several grade levels too high for its intended audience. But it was a great book, so I urged them to push it despite the book’s apparent problems.  It was called Harry Potter.
Even though authors can publish their own works, we’re going to need editors in the future who understand how to green-light a novel, who can recognize what will please an audience.  But once a work is selected, the editor will take the role of a producer—assembling a creative team of composers, musicians, illustrators, animators, directors, sound-effects engineers, and so on.”
Distributing enhanced books won’t be expensive.  After all, it will be done electronically.  There are no copies to print, ship, or store.  But creating them will be expensive and time-consuming.  
Still, it will be a lot less expensive than making a movie.  To create a really great movie with a lot of special effects can cost hundreds of millions of dollars, and it will only give the viewer an hour or two of entertainment.  But by meshing technologies, we can create a similar experience with novels, spending perhaps only a hundred thousand or two—and it will give a reading experience that might last for twenty or thirty hours or more!  Novels have a unique ability to let us achieve deep penetration into the minds and emotions of a character, much more so than with a film.  I’m excited about the possibilities.
In fact, I am so excited about the possibilities that I went indie with this next novel. I didn’t have to by any means. I’m an award-winning New York Times bestseller. Instead, I decided to start my own publishing company for enhanced novels.  I see potential. Nightingale is the first young adult novel I’ve written, outside of a little work with Star Wars and the Mummy.  I knew it could be a hit, but I wanted to do something . . . unique with it. I’ve trained dozens of other #1 international bestsellers, people like Brandon Sanderson and Stephenie Meyer, and I’ve learned to spot “good,” whether it’s someone else’s work or my own. Nightingale has it.
Now that it’s done, this is a first step toward creating a more-engaging form of novel, the kind that kids who are reluctant readers might devour.  I’m looking forward to see what we can do in ten or twenty years. But Nightingale is a step toward that future.
Nightingale is the story of a young man, abandoned at birth, rejected from foster home after foster home.  People see that he’s brilliant and talented, but also “strange.”  He’s the ultimate loner until he meets Olivia, a marvelously gifted teacher, who recognizes that Bron is something special, something that her people call a “Nightingale,” a creature not quite human.
I was excited to see how it would be received. I was even more excited when the first reviewer said, “I devoured the novel.  It was absolutely incredible! . . . I struggled to explain just how much I enjoyed it in my review. . . . After reading Nightingale, I don’t think I will even be able to go back to reading regular e-books again.  Like it says in my review, reading the enhanced Nightingale felt like an ‘experience.’ It didn’t feel quite like a book or a movie. It initiated all of my senses.  . . . enhanced ebooks are actually a real deal.” That’s what we were hoping people would see in it. The future of books is beginning now.
Best of all, East India Press has created a new web simulation technology that mimics how the book appears on the iPad, so you can see and hear it for yourself for free at www.nightingalenovel.com.
 Nightingale:
Title: Nightingale
Author: David Farland
Publication Date: October 31, 2011
Publisher: East India Press
Bron Jones was abandoned as a newborn. Thrown into foster care, he is rejected by one family after another, until he meets Olivia, a gifted and devoted high-school teacher who recognizes him for what he really is—what her people call a “nightingale.”
But Bron isn’t ready to learn the truth. There are secrets that have been hidden from mankind for hundreds of thousands of years, secrets that should remain hidden. Some things are too dangerous to know.
Bron’s secret may be the most dangerous of all.
Find Nightingale Online:  
 Blurbs:
A thrilling ride, with plenty of twists, action, and amazing characters.  I ripped through it.  Highly recommended.
– James Dashner; New York Times Bestseller
Farland is simply one of the best sci-fi and fantasy writers alive.
– Orson Scott Card; Hugo, Nebula, and World Fantasy Award Winner
 Book Trailer:

 Giveaway (CLOSED):
GIVEAWAY!
The wonderful people at East India Press will be offering one access-code to the enhanced novel website to read the novel online!
***Open Internationally!***
(Everyone can enter!!!)

Giveaway policies:

  • To Enter: Please leave a comment indicating why you want to read this novel and leave your e-mail address.
  • This giveaway ends on December 18th, 2011
  • This giveaway is open to those 13 years of age or older. 
  • All giveaway winners will be announced on the blog.
  • I can disqualify any entry as I see fit. 
  • I will use Random.org to select the winners.
  • Once the winners have been notified, they will have 24 hours to confirm their interest otherwise new winners will be selected.
WINNER: JULIE
Happy reading until next time!